VENEZIA  

GALLERIA INTERNAZIONALE D'ARTE MODERNA CA' PESARO
Santa Croce 2076
tel. 041/5240662

 

CRASH IN PROGRESS


 

 


Imbued with northern culture, Casorati, with this work, ventures into a kind of painting that shows almost hyper-realistic features in a voluntary use of kitsch, allowing him to anticipate themes and methods of the Magical Realism. After ninety years since the first exhibition, Le Signorine by Casorati is still impressing and troubling as it was during the 10 th Biennial of Venice, when, notwithstanding the little scandal it had caused (or maybe exactly for this reason), the painting was bought for Ca' Pesaro.While today the most daring experimentations tend to a firm reappraisal of painting, the work by Casorati becomes a benchmark again, due to the multiplicity of themes it encloses, ranging from nude to still life, from landscape to allegory. If history of art expresses itself from the outside, the contemporary artist's critical look moves around other artists' works with a different knowledge to reach creative results. New art, from the history of art.
Flavia Scotton

crirical text by Mara Ambrozic

The peculiar situation depicted in the painting by Felice Casorati links the four young girls to each other and describes their intimately different nature through objects and symbolic cross-references the artist scatters in the surrounding surface. The chromatic contrasts and the allegorical hints suggest different ways of interpreting each character - Dolores, Viola, Bianca and Allegra – who, though extremely different from each other, coexist in an accomplished whole. That's where the resemblance to the Crash in Progress seems to stem from. This group grounded its artistic attitude on the attempt to create an “accomplished project corpus” within which five different artistic personalities act in tune with each other as individual “autonomous systems”.The work exhibited in Ca' Pesaro is a mise-en-scène that recreates the complex identity between public and private creative domains and discloses their moment when they come together in a single representation.

 

GALLERIA INTERNAZIONALE D'ARTE MODERNA CA' PESARO

FELICE CASORATI

Felice Casorati, Le Signorine, 1912, oil on canvas, cm 197x190


Le Signorine, one of the most significant works by Felice Casorati (Novara,1883 - Turin, 1963) was painted in 1912 and presented at the X Biennial of Venice. After the exhibition it was purchased by the city of Venice for the collection of the Ca' Pesaro International Gallery of Modern and Contemporary Art where it is exhibited.

CRASH IN PROGRESS

Crash in Progress - Giorgio Andreotta, Martina De Lugnani, Peter Furlan, Jasa Mrevlje and Simone Settimo was founded in 2000 in Venice. Each member works, produces and lives autonomously his or her own artistic experience using the group's strength in order to plan freely what an artistic project includes.
logocip@hotmail.com


Young ladies,
installation, mixed materials, 2003