MESSINA  

MUSEO REGIONALE
Viale della Libertà 465
tel. 090/361292-3

 

FILIPPO DE MARIANO

MARIA MARILENA DE STEFANO

TIZIANA DEODATO


 

 

critical text by Giampaolo Chillè

The three artists' works allow the viewers to see, through the finite forms of the artworks, the infinite flowing of thought, that becomes apparent through interpretation, which is a life rule. Struck by the similarity between a late-gothic crucifix and African art, Filippo de Mariano, following the path he began to walk on a few years ago, re-enacts the Golgota scene with a female protagonist. A woman, symbol of the poor Africa, is crucified. Mother, daughter and spirit of a universal reality where everything, being in the pure state, appears incredibly amplified, leaving us deeply moved.
Subverting the most conventional syntactic rules, with different materials and a really kitsch language, Marilena de Stefano penetrates a 15th century work by Andrea della Robbia, looking for the meaning hidden inside it. Between fake chic and mock shock, a stereotype becomes escape, and escape becomes the stereotype of freedom and lightness, wrapped in a swishing feather boa.
With her "here and now" style, Tiziana Deodato focuses on the missing part of a baroque frontal in marmi mischi. Through the varied repetition of an imagined absent form, almost a diptych, she gives new life, in a sort of ironic and almost childish way, to the extraordinary decorative motifs of the model with smiling looney tunes, lumina orationis of an aesthetic attempt to undermine the sacredness of the museums.
The works chosen by the three artists are the same drawn by the children in the primary school for the project "Painters for a day". Probably they are still able to hear the voice of the child that lives inside them, but they have chosen to remain artists forever.

MUSEO REGIONALE

UNKNOWN AUTHOR

Unknown author, Crocifisso, polychrome wood, cm 330x228 (Christ cm 210x200), beginning of the 15th century


Expression of a refined international language, which blends French, Spanish and Italian influences, this crucifix, one of the highest examples of 15th-century wooden sculpture in Sicily, is solemn and statuesque. Characterized by a strong pathetism, hightened by a delicate polychromy, its expressive traits are typical of late-gothic style, but the first hints of Renaissance can be retraced in its refined rendering of volumes. This work, of unknown origin, was found by the Guardia di Finanza after the earthquake in 1908, while it was about to be stolen and taken away hidden in a cart loaded with straw.

FILIPPO DE MARIANO

Filippo De Mariano was born in S.Lucia del Mela (ME) in 1975. After taking his diploma from the Istituto Statale d'Arte in Milazzo, he presented his first solo exhibition - "Lungo il Viaggio" - in the Vittorio Emanuele Gallery in Messina. He took part in the exhibition "Questione di gusti" and in the Biennial of Young Artists in Athens in 2003.
fildem@tiscali.it


Il perdono (forgiveness),
installation, wood, cloth, rope, acrylic, wax pastels, cm 400x230x400, 2003


ANDREA DELLA ROBBIA'S WORKSHOP

Andrea della Robbia's workshop, Madonna dei frutti, glazed and majolicated terracotta, diam. 98,2, 15th century


Found after the earthquake that in 1908 reduced Messina to rubble and now part of the Museum's collections, this tondo was formerly kept in the church of S. maria della Scala, to which it had probably been donated by an unknown family of Tuscan origin. It represents a Madonna and Child, surrounded by cherub's heads and framed by a garland made of coloured leaves and fruits. The divine figures are graceful, natural and sweet looking thanks to the delicate and elegant shaping, that also underlines the refined harmonization between plastic and pictorial effects and between decorative function and devotional value. Made in glazed terracotta, a technique defined by Giorgio Vasari as "new, useful and very beautiful", this works has now been unanimously attributed by many art experts to Andrea della Robbia's workshop.

MARIA MARILENA DE STEFANO

Maria Marilena De Stefano was born in Messina in 1974. After taking her diploma from the AA. BB. in Reggio Calabria, she participated in several exhibitions: Premio Trevi Flash Art Museum, Chiostri Contemporanei (ME), Arte in pentola, Arti Visive 2, Questione di gusti, Biennial of Young Artists in Rome (1999) and in Athens (2003).
marilena.destefano@inwind.it


Isao o Oasi?,
installation, ceramics, lime, water, cork, ostrich feathers, cm 150x150, 2003


CRAFTSMEN FROM MESSINA

Craftsmen from Messina, 16 lastre ed un paliotto a tarsie (16 slabs and a frontal with marquetries), various marbles, lapis lazuli, semiprecious stones, various measures (slabs), cm 99x199 (frontal), 17th century


These marquetries are a refined example of the sumptuous decoration in marmi mischi that characterised the interior of many churches in Messina. These churches were destroyed by an earthquake in 1908 and some of their precious remains are now part of the Town Museum's collections. Made on commission, with marbles of different kinds, jaspers, amethysts, lapis lazuli, chalcedonies and pâte de verre, vivaciously polychrome, they are covered in small flowers, fruits, landscapes, many-coloured birds and symbolical motifs, composed in thousand different ways and disposed following precise symmetrical references. Expression of the extraordinary technical skill of the local craftsmen in 17th century, these slabs come from the church of S. Nicolò - with the exception of the frontal, that belonged to the church of S. Gregorio.

TIZIANA DEODATO

Tiziana Deodato was born in Messina in 1972. After taking her diploma from the AA. BB. in Reggio Calabria, she participated in several exhibitions: Chiostri Contemporanei (ME), Mail Art (UD), Spaziaperti (SR), Scartalarte (CT), Martedì dell'architettura (ME), Biennial of Young Artists in Rome (1999) and in Sarajevo (2001).
roberta.deodato@coditel.it


Torno Subito (I'll be back soon),
installation, graphic elaboration in digital print, cm 200x130, 2003